Plastic Little
"Where the fuck is hovercraft rap?" rants Jayson Musson.
"It's 2008 and I haven't heard one song about hovercrafts or the Human
Genome!" He has a point. In fact, Musson and his rap crew -
Philly-based Plastic Little - have several, and they ain't afraid to
express 'em.
PL aren't like other hip-hop crews. They don't go for standard,
homogenized mainstream rap, nor do they diggeth dense/dull backpacker
shizzle. Instead, they take a leaf - a branch, a tree - from Spank
Rock's brash and brittle Book of Beats, peppering this boisterous
backdrop with a showy mash of surreal humour and biting social satire.
Their debut album, 'She's Mature', is leftfield enough in places to
beg the question: is it rap? "It's definitely rap, but we often call
it 'Broke Pop' because we try to make these pop rap songs, but then
the humor or some fucked up lyric makes our music very un-pop," says
Musson. "Another term we used as a joke at first but I've seen used
seriously to describe us now is 'PoMoHiHo', which is Post Modern
Hip-Hop. It was really just a joke that came about from a radio
appearance we did, but the poindexters love the word."
Would you prosecute a clown for creating animals out of balloons?
Sonically similar to Spank Rock's acclaimed 'YoYoYoYoYo', 'She's
Mature' mixes it up between Wu Tang homages like '5th Chamber' to
funny piss-takes like 'The Jump-off' and 'Rap O'Clock'. Though the
humour spills into puerility at times, the album is amusing enough to
put Plastic Little in the hip-hop pen for definitively corrupting it's
duller impulses.
Clash Music